Cramps , the label of total music, publishing his first works in
1973: "Arbeit macht frei" of the area and "John Cage" by John Cage (music
of silence), two seemingly antithetical works, but both
revolutionary in the field of musical art.
If, on the one hand, the area turn to the formal research, expressive and
communicate the social message, the other goes to John Cage
sound research as the relative importance of chance and time.
charismatic figure of its founder, Gianni Sassi, remained in the memory
all after the untimely death has the merit to sense the change
and the need to travel, art, unexplored areas of the interior,
stimulate the reactions of the mind with unusual messages and proposals.

L'ANTHOLOGIA FUNK. Dagli anni '70 ad oggi. Gli italiani che hanno scelto il groove
This cd aims to compare two diff erent periods of Italian music history through funk music.
It is also the first attempt to find a proper “reason why” to this kind of music, much popular in the Seventies but mostly conceived as a means rather then as an end. Following the steps of Rhythm & Blues and its quite successful protagonists, Funk in Italy developed as a kind of music that gave - and still gives - a feeling of fulfilment to those who play it and that perfectly fi ts as the music for a mixed community of people. Therefore, with the help of the technological upgrade in the musical instruments’ construction process, Funk started to improve the general perception of Italian music, giving it a international and contemporary appeal. Artists with diff erent backgrounds and experiences indiscriminately started to use it. The first cd mirrors this journey in time showing Funk in Italy, then as now, as a very serious affair. Cramps records - this compilation’s producer - gave a chance to many artists that used the language of Funk in the name of originality. Even never openly mentioning Funk as a way to express certain contents. When in the first decade of the following century a proud army of Funkeeters landed in peace on planet Earth, it was clear to everybody that Funk was finally back, to stay.
Area - Napoli Centrale - Rino Gaetano - Eugenio Finardi - Alberto Radius - Lucio Fabbri - Enzo Carella - Pino Daniele - Loredana Berté - Andrea Mingardi - Enzo Avitabile - Bobby Soul - Tullio De Piscopo - Roberto Colombo - Patty Pravo - Venegoni & Co.
| 1 | La mela di Odessa 1920 | 6'26'' | |
| 2 | Simme Iute E Simme Venute | 7'41'' | |
| 3 | Berta Filava | 3'36'' | |
| 4 | Diesel | 5'00'' | |
| 5 | Nel Ghetto | 4'52'' | |
| 6 | Black Gold | 5'29'' | |
| 7 | Amara | 3'34'' | |
| 8 | A me me piace 'o blues | 3'02'' | |
| 9 | In Alto Mare | 4'26'' | |
| 10 | Xa Vut dalla Vetta | 5'00'' | |
| 11 | Like Io, Funky Tu | 2'55'' | |
| 12 | Scimmione | 5'38'' | |
| 13 | Stop Bajon (live) | 5'32'' | |
| 14 | Sono pronto | 2'20'' | |
| 15 | Il dottor Funk | 4'06'' | |
| 16 | Coesione | 5'20'' | |
| 17 | Ho veduto | 3'42'' |